Now showing items 41-60 of 185

    • Perceiving Complex Causation Through Interaction 

      Ware, Colin (ACM, 2013)
      When we interact with a touch screen computational device we have the strong subjective impression that we are directly causing changes that occur on the screen. For example, sliding a finger on a screen causes scrolling ...
    • Real-Time Rendering of Water Surfaces with Cartography-Oriented Design 

      Semmo, Amir; Kyprianidis, Jan Eric; Trapp, Matthias; Döllner, Jürgen (ACM, 2013)
      More than 70 percent of the Earth's surface is covered by oceans, seas, and lakes, making water surfaces one of the primary elements in geospatial visualization. Traditional approaches in computer graphics simulate and ...
    • Patch-Based Geometric Texture Synthesis 

      AlMeraj, Zainab; Kaplan, Craig S.; Asente, Paul (ACM, 2013)
      Inspired by the results of recent studies on the perception of geometric textures, we present a patch-based geometric synthesis algorithm that mimics observed synthesis strategies. Our synthesis process first constructs ...
    • Preface and Table of Contents 

      Donald House and Cindy Grimm (ACM, 2013)
    • Video Granular Synthesis 

      Forbes, Angus Graeme; Villegas, Javier (The Eurographics Association, 2015)
      This paper introduces a technique that enables the creative reshaping of one or more video signals based on granular synthesis techniques, normally applied only to audio signals. We demonstrate that a wide range of novel ...
    • Painting with Flowsnakes 

      Wyvill, Brian (The Eurographics Association, 2015)
      Space filling curves, invented by mathematicians in the 19th century, have long been a fascination for artists, however there are no interactive tools to allow an artist to create and explore various levels of recursion ...
    • Non-Photorealistic Rendering of Portraits 

      Rosin, Paul L.; Lai, Yu-Kun (The Eurographics Association, 2015)
      We describe an image-based non-photorealistic rendering pipeline for creating portraits in two styles: The first is a somewhat ''puppet'' like rendering, that treats the face like a relatively uniform smooth surface, with ...
    • Image Stylization by Oil Paint Filtering using Color Palettes 

      Semmo, Amir; Limberger, Daniel; Kyprianidis, Jan Eric; Döllner, Jürgen (The Eurographics Association, 2015)
      This paper presents an approach for transforming images into an oil paint look. To this end, a color quantization scheme is proposed that performs feature-aware recolorization using the dominant colors of the input image. ...
    • Shake it up - Image Decomposition and Rearrangements of Its Constituents 

      Gieseke, Lena; Klingel, Sven; Fuchs, Martin (The Eurographics Association, 2015)
      Art aspires to surprise an observer and to offer a different perspective. Changing one's perspective enables a deeper understanding of the examined subject and gives insights that are invisible in the original. We propose ...
    • Image Warping for a Painterly Effect 

      Li, Jiayu; Mould, David (The Eurographics Association, 2015)
      We propose a two-stage approach to painterly rendering of photographs, where the image plane is first warped to produce a distorted or caricatured effect and then the resulting image is rendered with a painterly effect. ...
    • Style-aware Robust Color Transfer 

      Hristova, Hristina; Meur, Olivier Le; Cozot, Rémi; Bouatouch, Kadi (The Eurographics Association, 2015)
      Transferring features, such as light and colors, between input and reference images is the main objective of color transfer methods. Current state-of-the-art methods focus mainly on the complete transfer of the light and ...
    • Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes 

      Berio, Daniel; Leymarie, Frederic Fol (The Eurographics Association, 2015)
      In this paper we describe a system aimed at the generation and analysis of graffiti tags.We argue that the dynamics of the movement involved in generating tags is in large part - and at a higher degree with respect to many ...
    • Rendering Artistic Light Patterns 

      Ji, Li; Gooch, Amy; Gammon, Lynda; Wyvill, Brian (The Eurographics Association, 2015)
      By combining knowledge from computer graphics and visual arts, we have built a projection installation based on a novel sketch-based shape pattern rendering method. Our novel rendering method is guided by an artist's ...
    • Frontmatter Expressive 2015 

      Sezgin, Metin; Rosin, Paul L.; Mould, David; Benard, Pierre; Akleman, Ergun (The Eurographics Association, 2015)
    • Computational Automotive Color Appearance 

      Meyer, Gary W.; Shimizu, Clement (The Eurographics Association, 2005)
      A computer graphic system has been developed that permits the interactive design of new automotive finishes. The software makes use of a reflection model for car paint that is based on industry standards for measuring the ...
    • Computer Aided Color Appearance Design using Environment Map Based Lighting 

      Shimizu, Clement; Meyer, Gary W. (The Eurographics Association, 2005)
      A BRDF approximation is developed that is suitable for interactive color appearance design in direct lighting provided by environment maps. The BRDFs are approximated as a linear combination of cosine lobes with a fixed ...
    • Computational Color Harmony based on Coloroid System 

      Neumann, László; Nemcsics, Antal; Neumann, Attila (The Eurographics Association, 2005)
      This paper presents experimentally based rules and methods for the creation of harmonic color sets. First, dichromatic rules are presented which concern the harmony relationships of two hues. For an arbitrarily given hue ...
    • Spectral Colour Order Systems and Appearance Metrics for Fluorescent Solid Colours 

      Wilkie, Alexander; Larboulette, Caroline; Purgathofer, Werner (The Eurographics Association, 2005)
      One aspect of Computational Aesthetics is the finding of harmonic colours for the objects in a scene. Although the obtained degree of colour harmony is a subjective criterion, experience shows that on average human observers ...
    • Form Follows Function: Aesthetic Interactive Labels 

      Götzelmann, Timo; Ali, Kamran; Hartmann, Knut; Strothotte, Thomas (The Eurographics Association, 2005)
      Labels effectively convey co-referential relations between textual and visual elements and are a powerful tool to support learning tasks. Therefore, almost all illustrations in scientific or technical documents employ a ...
    • Smart Visibility in Visualization 

      Viola, Ivan; Gröller, Eduard (The Eurographics Association, 2005)
      In this paper we discuss expressive visualization techniques that smartly uncover the most important information in order to maximize the visual information in the resulting images. This is achieved through dynamic changes ...