| dc.contributor.author | Elrawi, Osama | en_US |
| dc.contributor.editor | Gabriele Guidi and Roberto Scopigno and Pere Brunet | en_US |
| dc.date.accessioned | 2016-01-06T08:15:30Z | |
| dc.date.available | 2016-01-06T08:15:30Z | |
| dc.date.issued | 2015 | en_US |
| dc.identifier.isbn | 978-1-5090-0048-7 | en_US |
| dc.identifier.uri | http://dx.doi.org/10.1109/DigitalHeritage.2015.7413908 | en_US |
| dc.description.abstract | This paper is a part of an ongoing research project that is seeking to clarify the interrelationship between the architecture of the Alhambra and Andalusian music at that time. Despite that Alhambra was built long ago before the recent digital age, but it contains some phenomena's that points out to the relationship between 2D and 3D patterns and the type of music at that time. The term ''digital'' was never known at that time, but the basis of digital knowledge did exist, even if tools and equipment's did not. This research paper is seeking to clarify this theoretical basis that proves the interrelationship between architecture and music and to proof that both were stemming from one integrated cosmological source. | en_US |
| dc.publisher | IEEE | en_US |
| dc.subject | Alhambra | en_US |
| dc.subject | Architecture | en_US |
| dc.subject | cellular automata | en_US |
| dc.subject | genetic algorithms | en_US |
| dc.subject | music | en_US |
| dc.title | The Digital ArchiMusic Patterns in Alhambra | en_US |
| dc.description.seriesinformation | International Congress on Digital Heritage - Theme 2 - Computer Graphics And Interaction | en_US |
| dc.description.sectionheaders | Poster Presentations I | en_US |
| dc.identifier.doi | 10.1109/DigitalHeritage.2015.7413908 | en_US |
