dc.contributor.author | Schettino, Patrizia | en_US |
dc.contributor.editor | - | en_US |
dc.date.accessioned | 2015-04-27T14:59:29Z | |
dc.date.available | 2015-04-27T14:59:29Z | |
dc.date.issued | 2013 | en_US |
dc.identifier.uri | http://dx.doi.org/10.1109/DigitalHeritage.2013.6743826 | en_US |
dc.identifier.uri | https://diglib.eg.org:443/handle/10.1109/DigitalHeritage | |
dc.description.abstract | What is the relationship between the visitor's hybrid identity and his/her interpretation process? How can his/her relationship with one or more places affect the understanding of a real place, a virtual place, or a digital representation of a real place through augmented panoramas? This paper will answer these two research questions, interpreting the patterns emerging from data collected about visitors' experiences in the immersive environment PLACE-Hampi, designed by Sarah Kenderdine and Jeffrey Shaw. The paper is based on a method which the author calls ''embodied constructivist GTM digital ethnography in situ''. | en_US |
dc.publisher | The Eurographics Association | en_US |
dc.subject | {Cities and towns | en_US |
dc.subject | Communities | en_US |
dc.subject | Cultural differences | en_US |
dc.subject | Educational institutions | en_US |
dc.subject | Global communication | en_US |
dc.subject | Materials | en_US |
dc.subject | Presses | en_US |
dc.subject | digital ethnography | en_US |
dc.subject | grounded theory method | en_US |
dc.subject | home | en_US |
dc.subject | immersive | en_US |
dc.subject | interpretation | en_US |
dc.subject | interpretative community | en_US |
dc.subject | museum | en_US |
dc.subject | sense of place} | en_US |
dc.title | Home, sense of place and visitors intepretation of digital cultural immersive experiences in museums. | en_US |
dc.description.seriesinformation | Digital Heritage International Congress | en_US |
dc.description.sectionheaders | Track 3, Short Papers | en_US |
dc.identifier.doi | 10.1109/DigitalHeritage.2013.6743826 | en_US |