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dc.contributor.authorWu, Hui-Yinen_US
dc.contributor.authorGalvane, Quentinen_US
dc.contributor.authorLino, Christopheen_US
dc.contributor.authorChristie, Marcen_US
dc.contributor.editorWilliam Bares and Vineet Gandhi and Quentin Galvane and Remi Ronfarden_US
dc.date.accessioned2017-04-22T17:13:03Z
dc.date.available2017-04-22T17:13:03Z
dc.date.issued2017
dc.identifier.isbn978-3-03868-031-4
dc.identifier.issn2411-9733
dc.identifier.urihttp://dx.doi.org/10.2312/wiced.20171068
dc.identifier.urihttps://diglib.eg.org:443/handle/10.2312/wiced20171068
dc.description.abstractThis paper presents an open database of annotated film clips together with an analysis of elements of film style related to how the shots are composed, how the transitions are performed between shots and how the shots are sequenced to compose a film unit. The purpose is to initiate a shared repository pertaining to elements of film style which can be used by computer scientists and film analysts alike. Though both research communities rely strongly on the availability of such information to foster their findings, current databases are either limited to low-level features (such as shots lengths, color and luminance information), contain noisy data, or are not available to the communities. The data and analysis we provide open exciting perspectives as to how computational approaches can rely more thoroughly on information and knowledge extracted from existing movies, and also provide a better understanding of how elements of style are arranged to construct a consistent message.en_US
dc.publisherThe Eurographics Associationen_US
dc.titleAnalyzing Elements of Style in Annotated Film Clipsen_US
dc.description.seriesinformationEurographics Workshop on Intelligent Cinematography and Editing
dc.description.sectionheadersStyles and Challenges
dc.identifier.doi10.2312/wiced.20171068
dc.identifier.pages29-35


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