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dc.contributor.authorLindemeier, Thomasen_US
dc.contributor.authorSpicker, Marcen_US
dc.contributor.authorDeussen, Oliveren_US
dc.contributor.editorMatthias Hullin and Marc Stamminger and Tino Weinkaufen_US
dc.date.accessioned2016-10-10T08:04:33Z
dc.date.available2016-10-10T08:04:33Z
dc.date.issued2016
dc.identifier.isbn978-3-03868-025-3
dc.identifier.issn-
dc.identifier.urihttp://dx.doi.org/10.2312/vmv.20161350
dc.identifier.urihttps://diglib.eg.org:443/handle/10.2312/vmv20161350
dc.description.abstractWe present a technique for painterly renderings that follows a decomposition of the canvas into a set of regions and layers (coarse to fine). The regions reflect the spatial arrangement of the composition and the order in which the painting is to be created (typically back to front), and are produced in a way that new strokes only minimally paint over existing ones. Layers reflect the application of tools and are optimized for certain brush sizes. The number of strokes and colors that are needed to represent an input image are minimized by this decomposition, which is good for software, but essential for hardware-based rendering. Our method allows us to apply different painting styles to different regions as well as layers, and to create painterly renderings with more artistic freedom. We demonstrate our decomposition technique on images that are processed using hierarchical segmentation techniques.en_US
dc.publisherThe Eurographics Associationen_US
dc.subjectI.3.3 [Computer Graphics]
dc.subjectPicture/Image Generation
dc.subjectLine and curve generation
dc.titleArtistic Composition for Painterly Renderingen_US
dc.description.seriesinformationVision, Modeling & Visualization
dc.description.sectionheadersImage Editing and Exploration
dc.identifier.doi10.2312/vmv.20161350
dc.identifier.pages119-126


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  • VMV16
    ISBN 978-3-03868-025-3

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