Reimagining a 2D Painted Portrait as a Kinetic 3D Sculpture

dc.contributor.author	Ellis, Ellen Conlan	en_US
dc.contributor.author	Adzhiev, Valery	en_US
dc.contributor.editor	Hulusic, Vedad and Chalmers, Alan	en_US
dc.date.accessioned	2021-11-02T08:55:47Z
dc.date.available	2021-11-02T08:55:47Z
dc.date.issued	2021
dc.identifier.isbn	978-3-03868-141-0
dc.identifier.issn	2312-6124
dc.identifier.uri	https://doi.org/10.2312/gch.20211409
dc.identifier.uri	https://diglib.eg.org:443/handle/10.2312/gch20211409
dc.description.abstract	This paper describes a Cultural Heritage related project concerned with developing computer technology for reimagining a 2D painted still portrait made in a distinctive fine art style as an animated 3D sculpture whilst preserving the principal features of the initial painting yet resulting in an artefact of original quality. This work explores both artistic and technological aspects of a production pipeline. The case-study to prove the concept relies on Francis Bacon's ''Study for Portrait (Michel Leiris)''. A supplementary video shows the resulting animated piece with Bacon's voice-over.	en_US
dc.publisher	The Eurographics Association	en_US
dc.subject	Computing methodologies
dc.subject	Computer graphics
dc.subject	Applied Computing
dc.subject	Arts and humanities
dc.title	Reimagining a 2D Painted Portrait as a Kinetic 3D Sculpture	en_US
dc.description.seriesinformation	Eurographics Workshop on Graphics and Cultural Heritage
dc.description.sectionheaders	Short Papers I
dc.identifier.doi	10.2312/gch.20211409
dc.identifier.pages	79-82