ColourVis: Exploring Colour Usage in Paintings Over Time
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Date
2011Author
Haber, Jonathan
Lynch, Sean
Carpendale, Sheelagh
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The colour palette of painters over history has been of interest to many, including: art historians, archeologists, and art lovers. Colour usage in art changes from culture to culture and season to season and is often thought of as reflecting or inspiring mood and ambience. We present ColourVis: a visualization that supports exploration of colour usage in digital images. In particular, we use as a case study European art over the last six centuries. Visualizing this relatively unexplored area offers insights into such questions as: How blue was Picasso's blue period?; How do realist painters' colour choices compare to that of surrealist painters; or How has the usage of colours changed over time? Through ColourVis we offer an exploration and comparison tool for individual paintings, groups of paintings and trends in colour usage over time.
BibTeX
@inproceedings {10.2312:COMPAESTH:COMPAESTH11:105-112,
booktitle = {Computational Aesthetics in Graphics, Visualization, and Imaging},
editor = {Douglas Cunningham and Tobias Isenberg},
title = {{ColourVis: Exploring Colour Usage in Paintings Over Time}},
author = {Haber, Jonathan and Lynch, Sean and Carpendale, Sheelagh},
year = {2011},
publisher = {The Eurographics Association},
ISSN = {1816-0859},
ISBN = {978-1-4503-0908-0},
DOI = {10.2312/COMPAESTH/COMPAESTH11/105-112}
}
booktitle = {Computational Aesthetics in Graphics, Visualization, and Imaging},
editor = {Douglas Cunningham and Tobias Isenberg},
title = {{ColourVis: Exploring Colour Usage in Paintings Over Time}},
author = {Haber, Jonathan and Lynch, Sean and Carpendale, Sheelagh},
year = {2011},
publisher = {The Eurographics Association},
ISSN = {1816-0859},
ISBN = {978-1-4503-0908-0},
DOI = {10.2312/COMPAESTH/COMPAESTH11/105-112}
}