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dc.contributor.authorGerman, Daniel M.en_US
dc.contributor.editorDouglas W. Cunningham and Victoria Interrante and Paul Brown and Jon McCormacken_US
dc.date.accessioned2013-10-22T07:38:42Z
dc.date.available2013-10-22T07:38:42Z
dc.date.issued2008en_US
dc.identifier.isbn978-3-905674-08-8en_US
dc.identifier.issn1816-0859en_US
dc.identifier.urihttp://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/099-106en_US
dc.description.abstractIn this paper we propose a method that reverse engineers the aesthetic decisions made by a print maker to produce a print from a negative, namely cropping, contrast selection, and dodging-and-burning. It then re-applies this process to the electronic negative in order to achieve an electronic version of such print with better tonal range and detail than one produced by scanning the print. We then extend this method to restore a print by combining scans of different versions of the same image.en_US
dc.publisherThe Eurographics Associationen_US
dc.titleImproving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intenten_US
dc.description.seriesinformationComputational Aesthetics in Graphics, Visualization, and Imagingen_US


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