NPAR12

 

Recent Submissions

  • Texture-Preserving Abstraction 

    Mould, David (The Eurographics Association, 2012)
    Image abstraction traditionally eliminates texture, but doing so ignores the more elegant alternative of texture indication, e.g., suggesting the presence of texture through irregular silhouettes and locally chosen details. ...

  • Combining Sketch and Tone for Pencil Drawing Production 

    Lu, Cewu; Xu, Li; Jia, Jiaya (The Eurographics Association, 2012)
    We propose a new system to produce pencil drawing from natural images. The results contain various natural strokes and patterns, and are structurally representative. They are accomplished by novelly combining the tone and ...

  • Virtual Passepartouts 

    Ritschel, Tobias; Templin, Krzysztof; Myszkowski, Karol; Seidel, Hans-Peter (The Eurographics Association, 2012)
    In traditional media, such as photography and painting, a cardboard sheet with a cutout (called passepartout) is frequently placed on top of an image. One of its functions is to increase the depth impression via the ...

  • Consistent Stylization and Painterly Rendering of Stereoscopic 3D Images 

    Northam, Lesley; Asente, Paul; Kaplan, Craig S. (The Eurographics Association, 2012)
    We present a method for stylizing stereoscopic 3D images that guarantees consistency between the left and right views. Our method decomposes the left and right views of an input image into discretized disparity layers and ...

  • Active Strokes: Coherent Line Stylization for Animated 3D Models 

    Benard, Pierre; Lu, Jingwan; Cole, Forrester; Finkelstein, Adam; Thollot, Joelle (The Eurographics Association, 2012)
    This paper presents a method for creating coherently animated line drawings that include strong abstraction and stylization effects. These effects are achieved with active strokes: 2D contours that approximate and track ...

  • Pixelating Vector Line Art 

    Inglis, Tiffany C.; Kaplan, Craig S. (The Eurographics Association, 2012)
    Creating pixel art is a laborious process that requires artists to place individual pixels by hand. Although many image editors provide vector-to-raster conversions, the results produced do not meet the standards of pixel ...

  • Pixelated Image Abstraction 

    Gerstner, Timothy; DeCarlo, Doug; Alexa, Marc; Finkelstein, Adam; Gingold, Yotam; Nealen, Andrew (The Eurographics Association, 2012)
    We present an automatic method that can be used to abstract high resolution images into very low resolution outputs with reduced color palettes in the style of pixel art. Our method simultaneously solves for a mapping of ...

  • Shape-Free Hybrid Image 

    Sripian, Peeraya; Yamaguchi, Yasushi (The Eurographics Association, 2012)
    Hybrid image is the image that changes interpretation according to viewing distance. By simply extracting the low and the high spatial frequency bands from two source images, the combination result image can be interpreted ...

  • No Photos Harmed / Growing Paths from Seed - An Exhibition 

    Colton, Simon; Ferrer, Blanca Perez (The Eurographics Association, 2012)
    We report on an exhibition centered around a dialogue between a Computational Creativity researcher presenting artwork generated by a computer program and a classically trained artist taking inspiration from the computational ...