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dc.contributor.authorWay, Der-Loren_US
dc.contributor.authorShih, Zen-Chungen_US
dc.date.accessioned2015-02-16T11:05:23Z
dc.date.available2015-02-16T11:05:23Z
dc.date.issued2001en_US
dc.identifier.issn1467-8659en_US
dc.identifier.urihttp://dx.doi.org/10.1111/1467-8659.00505en_US
dc.description.abstractIn Chinese landscape painting, rock textures portray the orientation of mountains and contribute to the atmosphere. Many landscape-painting skills are required according to the type of rock. Landscape painting is the major theme of Chinese painting. Over the centuries, masters of Chinese landscape painting developed various texture strokes. Hemp-fiber and axe-cut are two major types of texture strokes. A slightly sinuous and seemingly broken line, the hemp-fiber stroke is used for describing the gentle slopes of rock formations whereas the axe-cut stroke best depicts hard, rocky surfaces. This paper presents a novel method of synthesizing rock textures in Chinese landscape painting, useful not only to artists who want to paint interactively, but also in automated rendering of natural scenes. The method proposed underwrites the complete painting process after users have specified only the contour and parameters.en_US
dc.publisherBlackwell Publishers Ltd and the Eurographics Associationen_US
dc.titleThe Synthesis of Rock Textures in Chinese Landscape Paintingen_US
dc.description.seriesinformationComputer Graphics Forumen_US
dc.description.volume20en_US
dc.description.number3en_US
dc.identifier.doi10.1111/1467-8659.00505en_US
dc.identifier.pages123-131en_US


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