dc.contributor.author | Hall, Peter | en_US |
dc.contributor.author | Song, Yi-Zhe | en_US |
dc.contributor.editor | Donald House and Cindy Grimm | en_US |
dc.date.accessioned | 2016-02-18T10:14:06Z | |
dc.date.available | 2016-02-18T10:14:06Z | |
dc.date.issued | 2013 | en_US |
dc.identifier.isbn | 978-1-4503-2203-4 | en_US |
dc.identifier.issn | 1816-0859 | en_US |
dc.identifier.uri | http://dx.doi.org/10.1145/2487276.2487288 | en_US |
dc.description.abstract | This paper shows that it is possible to semi-automatically process photographs into Simple Art. Simple Art is a term that we use to refer to a group of artistic styles such a child art, cave art, and Fine Artists as exemplified by Joan Mir´o. None of these styles has been previously studied by the NPR community. Our contribution is to provide a process that makes them accessible. We describe a method that automatically constructs a hierarchical model of an input photograph, and asks a user to identify objects inside it. Each object is a sub-tree, which can be rendered under user control. The method is demonstrated using emulations of Simple Art. We include an assessment of our results against a set of norms recommended by a Cultural Historian. We conclude that producing Simple Art raises important technical questions, especially surrounding the interplay between computational modelling and human abstractions. | en_US |
dc.publisher | ACM | en_US |
dc.subject | CR Categories | en_US |
dc.subject | I.3.3 [Computer Graphics] | en_US |
dc.subject | Picture/Image Generation | en_US |
dc.subject | Display Algorithms Keywords | en_US |
dc.subject | Photographic Processing | en_US |
dc.subject | Image Abstraction | en_US |
dc.subject | Simple Art | en_US |
dc.subject | Child | en_US |
dc.subject | like Art | en_US |
dc.title | Simple Art as Abstractions of Photographs | en_US |
dc.description.seriesinformation | Computational Aesthetics in Graphics, Visualization, and Imaging | en_US |
dc.description.sectionheaders | Image Processing / Vision | en_US |
dc.identifier.doi | 10.1145/2487276.2487288 | en_US |
dc.identifier.pages | 77-86 | en_US |