| dc.contributor.author | Ranchito, El | en_US |
| dc.contributor.author | Sobre, Sopa de | en_US |
| dc.contributor.author | National, Museo Arqueologico | en_US |
| dc.contributor.editor | Sofia Pescarin and Pedro Cano and Alfredo Grande | en_US |
| dc.date.accessioned | 2016-01-05T11:12:36Z | |
| dc.date.available | 2016-01-05T11:12:36Z | |
| dc.date.issued | 2015 | en_US |
| dc.identifier.isbn | 978-1-5090-0048-7 | en_US |
| dc.identifier.uri | http://dx.doi.org/TBA | en_US |
| dc.description.abstract | Digital techniques are very versatile and, going beyond hyper-realism, allow the creation of all types of very expressive solutions. The 19 audiovisual pieces made for the National Archeological Museum deal with various themes using different approaches but share the use of mixed animation techniques in which drawing, illustration and animation are integrated with 3D and digital composition in search of appropriate and innovative languages. | en_US |
| dc.publisher | IEEE | en_US |
| dc.title | Animating History - Animation Styles and Techniques of the Audiovisuals for the National Archeological Museum | en_US |
| dc.description.seriesinformation | International Congress on Digital Heritage - EXPO | en_US |
| dc.description.sectionheaders | Section 8 - Video | en_US |
| dc.identifier.doi | TBA | en_US |
