The CyberAnthill: A Computational Sculpture

dc.contributor.author	Raskob, Evan	en_US
dc.contributor.editor	Berio, Daniel and Cruz, Pedro and Echevarria, Jose	en_US
dc.date.accessioned	2019-05-20T09:53:17Z
dc.date.available	2019-05-20T09:53:17Z
dc.date.issued	2019
dc.identifier.isbn	978-3-03868-084-0
dc.identifier.uri	https://doi.org/10.2312/exp.20191086
dc.identifier.uri	https://diglib.eg.org:443/handle/10.2312/exp20191086
dc.description.abstract	The CyberAnthill is both a generative sculpture and a Live Computational Sculpting (LCS) system that uses a 3D printer and custom software to build plastic sculptures out of layered cellular automata. As the title alludes to, the cellular automata are inspired by Langston's Ant and the light cycle racers in the cult 1980's science-fiction movie Tron. Instead of the normal process of printing exacting, predetermined 3D models, the 3D printer generates its plastic forms by running unpredictable computer code.	en_US
dc.publisher	The Eurographics Association	en_US
dc.subject	Human
dc.subject	centered computing
dc.subject	Visualization systems and tools
dc.subject	Computing methodologies
dc.subject	Simulation types and techniques
dc.subject	Applied computing
dc.subject	Fine arts
dc.title	The CyberAnthill: A Computational Sculpture	en_US
dc.description.seriesinformation	ACM/EG Expressive Symposium - Posters, Demos, and Artworks
dc.description.sectionheaders	Art in Motion
dc.identifier.doi	10.2312/exp.20191086
dc.identifier.pages	3-4