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dc.contributor.authorCastro, Barbara P.en_US
dc.contributor.authorVelho, L.en_US
dc.contributor.authorKosminsky, D.en_US
dc.contributor.editorDouglas Cunningham and Donald Houseen_US
dc.date.accessioned2013-10-22T07:12:43Z
dc.date.available2013-10-22T07:12:43Z
dc.date.issued2012en_US
dc.identifier.isbn978-3-905674-43-9en_US
dc.identifier.issn1816-0859en_US
dc.identifier.urihttp://dx.doi.org/10.2312/COMPAESTH/COMPAESTH12/011-015en_US
dc.description.abstractThis paper emphasizes the participation of the whole body in the interaction process in art, which becomes essential in the development of new insights and artistic expressions. We approach the postmodernism and the post-medium condition, having in mind the remediation process between digital and analog media to rethink the possibilities of interactive art through new technologies. We focus in the body as a living medium, to introduce the INTEGRARTE project, an installation about body experience through movement visualizations and sounds.en_US
dc.publisherThe Eurographics Associationen_US
dc.subjectCategories and Subject Descriptors (according to ACM CCS): I.3.6 [Computer Graphics]: Methodology and Techniques - Interaction Techniquesen_US
dc.titleIntegrarte: Digital Art Using Body Interactionen_US
dc.description.seriesinformationComputational Aesthetics in Graphics, Visualization, and Imagingen_US


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