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dc.contributor.authorRigau, Jaumeen_US
dc.contributor.authorFeixas, Miquelen_US
dc.contributor.authorSbert, Mateuen_US
dc.contributor.authorWallraven, Christianen_US
dc.contributor.editorPauline Jepp and Oliver Deussenen_US
dc.date.accessioned2013-10-22T07:18:27Z
dc.date.available2013-10-22T07:18:27Z
dc.date.issued2010en_US
dc.identifier.isbn978-3-905674-24-8en_US
dc.identifier.issn1816-0859en_US
dc.identifier.urihttp://dx.doi.org/10.2312/COMPAESTH/COMPAESTH10/099-106en_US
dc.description.abstractIn this paper, we analyze the evolution of van Gogh's style toward the Auvers final period using informational measures. We will try to answer the following questions: Was van Gogh exploring new ways toward changing his style? Can informational measures support the claim of critics on the evolution of his palette and composition? How "far" was van Gogh's last period from the previous ones, can we find out an evolutionary trend? We will extend here the measures defined in our previous work with novel measures taking into account spatial information and will present a visual tool to examine the palette. Our results confirm the usefulness of an approach rooted in information theory for the aesthetic study of the work of a painter.en_US
dc.publisherThe Eurographics Associationen_US
dc.subjectCategories and Subject Descriptors (according to ACM CCS): Image Processing and Computer Vision [I.4.9]: Applications-Computer Applications [J.5]: Arts and Humanities-en_US
dc.titleToward Auvers Period: Evolution of van Gogh's Styleen_US
dc.description.seriesinformationComputational Aesthetics in Graphics, Visualization, and Imagingen_US


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