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dc.contributor.authorGerman, Daniel M.en_US
dc.contributor.authorBurchill, Lloyden_US
dc.contributor.authorDuret-Lutz, Alexandreen_US
dc.contributor.authorPérez-Duarte, Sébastienen_US
dc.contributor.authorPérez-Duarte, Emmanuelen_US
dc.contributor.authorSommers, Joshen_US
dc.contributor.editorDouglas W. Cunningham and Gary Meyer and Laszlo Neumannen_US
dc.date.accessioned2013-10-22T07:39:38Z
dc.date.available2013-10-22T07:39:38Z
dc.date.issued2007en_US
dc.identifier.isbn978-3-905673-43-2en_US
dc.identifier.issn1816-0859en_US
dc.identifier.urihttp://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/023-028en_US
dc.description.abstractThe viewable sphere corresponds to the space that surrounds us. The evolution of photography and panoramic software and hardware has made it possible for anybody to capture the viewable sphere. It is now up to the artist to determine what can be done with this raw material. In this paper we explore the underdeveloped field of flat panoramas from an artistic point of view. We argue that its future lies in the exploration of conformal mappings, specialized software, and the interaction of its practitioners via the Internet.en_US
dc.publisherThe Eurographics Associationen_US
dc.titleFlattening the Viewable Sphereen_US
dc.description.seriesinformationComputational Aesthetics in Graphics, Visualization, and Imagingen_US


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