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dc.contributor.authorWilkie, Alexanderen_US
dc.contributor.authorLarboulette, Carolineen_US
dc.contributor.authorPurgathofer, Werneren_US
dc.contributor.editorLaszlo Neumann and Mateu Sbert and Bruce Gooch and Werner Purgathoferen_US
dc.date.accessioned2013-10-22T07:40:30Z
dc.date.available2013-10-22T07:40:30Z
dc.date.issued2005en_US
dc.identifier.isbn3-905673-27-4en_US
dc.identifier.issn1816-0859en_US
dc.identifier.urihttp://dx.doi.org/10.2312/COMPAESTH/COMPAESTH05/241-245en_US
dc.description.abstractOne aspect of Computational Aesthetics is the finding of harmonic colours for the objects in a scene. Although the obtained degree of colour harmony is a subjective criterion, experience shows that on average human observers tend to have quite similar responses to individual colour stimuli and their combinations. This observation is the basis for what is commonly referred to as Colour Order Systems (COS), which aim to arrange colours in a fashion such that users can intuitively select individual colours or even whole sets of them according to some criterion. However, when dealing with a spectral rendering system, the use of traditional colour space COS to obtain pleasant associations of colours becomes impossible, principally due to metamerism. An interesting problem would be the derivation of a COS for spectral data which includes the ability to deal with fluorescent colours, the indirect goal of such a metric system being the selection of aesthetically pleasing colour values for a spectral renderer.en_US
dc.publisherThe Eurographics Associationen_US
dc.subjectCategories and Subject Descriptors (according to ACM CCS): I.3.7 [Computer Graphics]: Three-Dimensional Graphics and Realism: Coloren_US
dc.titleSpectral Colour Order Systems and Appearance Metrics for Fluorescent Solid Coloursen_US
dc.description.seriesinformationComputational Aesthetics in Graphics, Visualization and Imagingen_US


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