| dc.contributor.author | Greenfield, Gary | en_US |
| dc.contributor.editor | Laszlo Neumann and Mateu Sbert and Bruce Gooch and Werner Purgathofer | en_US |
| dc.date.accessioned | 2013-10-22T07:40:18Z | |
| dc.date.available | 2013-10-22T07:40:18Z | |
| dc.date.issued | 2005 | en_US |
| dc.identifier.isbn | 3-905673-27-4 | en_US |
| dc.identifier.issn | 1816-0859 | en_US |
| dc.identifier.uri | http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH05/009-012 | en_US |
| dc.description.abstract | To provide some background, as well as a historical context, for the Eurographics 2005 Workshop on Graphics, Visualization and Imaging we provide a chronology, complete with references, covering various research activities that invoke the term aesthetics in a computational setting. Much of the research cited focuses on the problem of making numerical assessments of the aesthetic content of works of art. | en_US |
| dc.publisher | The Eurographics Association | en_US |
| dc.subject | Categories and Subject Descriptors (according to ACM CCS): K.2 [Computing Milieux]: History of Computing, J.5 [Computer Applications]: Arts and Humanities | en_US |
| dc.title | On the Origins of the Term Computational Aesthetics | en_US |
| dc.description.seriesinformation | Computational Aesthetics in Graphics, Visualization and Imaging | en_US |
