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dc.contributor.authorBurch, Michaelen_US
dc.contributor.authorVehlow, Corinnaen_US
dc.contributor.authorWeiskopf, Danielen_US
dc.contributor.editorPaul Rosinen_US
dc.date.accessioned2016-02-27T19:26:43Z
dc.date.available2016-02-27T19:26:43Z
dc.date.issued2014en_US
dc.identifier.isbn978-1-4503-3019-0en_US
dc.identifier.issn1816-0859en_US
dc.identifier.urihttp://dx.doi.org/10.1145/2630099.2630109en_US
dc.description.abstractTesselation-based or area-based visual representations are common to many artistic or visualization applications. For example, Voronoi art uses a space-filling tessellation of the image by Voronoi cells. We present frayed cell diagrams as an aesthetic visual representation of the separating border between those space-filling regions. Our approach is based on a simple randomized algorithm that densely draws lines toward the reference points of cells. This algorithm is controlled by a few parameters whose effects are detailed in the paper: the density and size of cells, the degree of fraying, and the color coding. To demonstrate the usefulness of frayed diagrams for algorithmic art, we applied them to pieces of Voronoi art. Finally, we conducted a survey to assess the aesthetics of the frayed cell diagrams. As a result, we found out that the majority of the participants preferred a high degree of fraying, but that a non-negligible subgroup preferred diagrams without any fraying.en_US
dc.publisherACMen_US
dc.subjectEdge renderingen_US
dc.subjectalgorithmic arten_US
dc.subjectVoronoi art.en_US
dc.titleFrayed cell diagramsen_US
dc.description.seriesinformationEurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imagingen_US
dc.description.sectionheadersVisualizationen_US
dc.identifier.doi10.1145/2630099.2630109en_US
dc.identifier.pages93-96en_US


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